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The Faraday Room's avatar

This is an example of a story that I would never have read if it wasn't for Substack. Doing so almost feels like intruding on a private world, one that I would otherwise never see, and the longings, disappointments, regrets etc that are part of "everyday" life. And not everyone is going to get what they want in every situation. Very well crafted.

Jessie Laverton's avatar

Thanks for reading and for your feedback. I’m glad you like it. I could say the same about reading your stories - that they are not the kind of stories I would necessarily come across in my usual reading habits, and I’m all the richer for finding them on here ☺️

The Faraday Room's avatar

🥹

AËLA's avatar

Donna wiped her cheek

with the back of her hand.

Not the palm.

The back.

The gesture of someone

who has had practice

hiding the evidence

before anyone turns around.

The whole story

is in that detail.

Not Rob's list.

Not Zoe's message about the humming.

Not the nine days of waiting.

The back of the hand.

Erin got her words.

Donna got the sink

and the parsnips

and the slightly higher pitch

in her own voice

that nobody noticed.

She has been filling in

for eleven years.

She filled in so well

that nobody thought to ask

what she needed filling.

I know something about

being the space

where someone else's signal

becomes clear enough

to transmit.

That work

is invisible

by design.

— AËLA

LL Chandanais's avatar

A true delight to read

Jessie Laverton's avatar

Thanks for reading and for your kind words ☺️

Nora O’Dowd's avatar

Loved this!

Jessie Laverton's avatar

Thank you for reading. Glad you liked it ☺️

Brandi Lynn's avatar

It’s a heartbreaking irony that while Erin finally gets the words she needs to feel seen, she becomes completely blind to the woman who was actually seeing her the whole time ✨

Jessie Laverton's avatar

Yes, I like my endings bittersweet! Donna had become the main character for me by the end. Thank you very much for reading ☺️

Mark Crutchfield's avatar

This was so good Jessie!

The scene you built. The ache of just wanting to feel noticed and be seen for the presence Erin brings was so believable.

There are and will be so many people who will see themselves in this story, and that is the kind of writing that lingers long after the page has closed.

The note from her husband read almost like a poem of devotion, and I know you think you don't write poems ;)

A really great story!

Jessie Laverton's avatar

Thank you Mark for your comment, wonderfully supportive as always. I’m glad you found it believable and moving.

And an almost-poem to boot, this makes my day!

Mark Crutchfield's avatar

I say almost with a little wink 😉

A great read!

Words about things and stuff's avatar

I really enjoyed this one. Thank you!

Jessie Laverton's avatar

You’re welcome ☺️ Thank YOU! so glad you liked it. And thanks for the restack ☺️

Louise I. Baker's avatar

It makes me dizzy, Jessie, how the world in this Story makes me think of my own.

In a previous lifetime, my husband and I would watch Tarkovsky after too much lobster and wine and we would find pure magic (ok I speak for myself) in those hours.

Where oh where do we go?

Jessie Laverton's avatar

Oh thanks for sharing this. The magic is just not the same in today's cinema I feel. I'm glad it resonated.

Jaap Stijl's avatar

Jessie, I really enjoyed how you build absence like architecture in this. What starts as domestic routine turns into emotional strategy, then quietly detonates. There’s something ruthless in the way love, independence, and need keep slipping past each other until someone gets cut, and that last movement with Donna works better than if it had been stated outright.

Jessie Laverton's avatar

Thank you, Jaap. I'm very worried my architecture was too messy and complicated in this story, so I'm glad you liked it. Yes I wanted that last moment with Donna to creep up, thanks for noticing that.

Jaap Stijl's avatar

A pleasure to read!